This is an easy way to play both the melody and chords in a way that sounds together, yet is easy to play! Pay attention to how our chord pops fit between each phrase of the melody. Let’s take a look at some more colorful chords: These notes give Chord Shells musical color because they utilize extensions (extra notes that make chords sound extra good). Rootless Voicings expand on Guide Tones by adding two more notes, typically the 5th, 9th, or 13th. Autumn Leaves Jazz Piano Rootless Voicings Next, let’s learn about Rootless Voicings. To take a deep dive into Chord Shells and really master them, check out our Chord Shell & Guide Tones Exercises course. Here, the 7th of Am7 – G- moves down to the 3rd of D7 – F#- and the 7th of D7 – C- moves to the 3rd of Gmaj7 – B – cool! For example, here is how you move from a D7 to a G Major 7 chord using chord shells: D7 Chord Shell Gmaj7 Chord Shell Harmony moving by 5ths is very common in jazz, and one of the great things about this chord progression is that the 3rds and 7ths only move by one note as you go from chord to chord. For more on the Cycle of 5ths Progression, check out our Cycle of 5ths in 3 Jazz Styles course. This chord progression is known as the Cycle of 5ths because each chord is a 5th apart from the previous chord. The less repeated notes there are in your voicings, the clearer your playing will be. Chord Shells work so well because they include the guide tones of each chord, which are the 3rd and 7th of the chord. Remember that your left hand is playing the roots with the bass line, so there’s no need to duplicate that with these right hand chord pops. Jazz Piano Lead Sheet Chord Pops – Shell Voicings Here’s what Chord Shells look like without any roots: We remove the root (in blue) from this chord because it’s already being covered in the bass line. Here is an example of a Chord Shell for Am7: Blue: the root (part of your bass line) Chord shells are “empty” chords that provide the chord quality without any additional color, using only the root, 3rd, and 7th of each chord. ![]() If you are more of a beginner jazz pianist, I recommend starting with Chord Shells. Chord Shells are simple 3-note chords, and Rootless Voicings are more colorful 4-note chords. There are two essential techniques to adding chords to your arrangement: Chord Shells and Rootless Voicings. Chord Pops – Shells and Rootless Voicings for Autumn Leaves Jazz PianoĬhord pops are a great way to add some color and fill in the harmony in the spaces in the melody. If you want to dig deeper into walking bass lines, check out the jazz walking bass lines courses! Next, you will learn how to use Chord Shells and Rootless Voicings. Don’t be afraid to experiment with these additional notes! Every upbeat has the potential to add swinging energy to a walking bass line. This helps propel the bass line along with a bit of extra energy. Typically, this works best when you add the “and of 3” before beat 4. Blow is the melody for Autumn Leaves:īy adding extra notes between the beats, you can create a more swinging, energetic bass line. The first step to learning any song is to learn the melody. Some great examples are by Miles Davis, Chet Baker, and Nat King Cole. Before we start the lesson, it’s important to listen to Autumn Leaves so you can get a sense for this melody and chord progression. Autumn Leaves Jazz Piano Lead Sheet – MelodyĪutumn Leaves is one of the most popular jazz standards of all time, and has been recorded by countless jazz artists. The skills you will learn in today’s lesson will take your playing to the next level! The ability to combine a melody with a bass line and chords is such a fun and rewarding way to create arrangements of your favorite songs on the spot. ![]() Use the cycle of 5ths chord progression / rootless voicings for right hand.Do you want to learn how to play Autumn Leaves lead sheet in the jazz piano style? With these 4 steps, you will learn how to play a jazz piano lead sheet:
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